Forty Rooms
(eAudiobook)

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Published
Blackstone Publishing, 2016.
Physical Description
9h 13m 0s
Format
eAudiobook
Language
English
ISBN
9781982469252

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Citations

APA Citation, 7th Edition (style guide)

Olga Grushin., Olga Grushin|AUTHOR., & Christa Lewis|READER. (2016). Forty Rooms . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Olga Grushin, Olga Grushin|AUTHOR and Christa Lewis|READER. 2016. Forty Rooms. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Olga Grushin, Olga Grushin|AUTHOR and Christa Lewis|READER. Forty Rooms Blackstone Publishing, 2016.

MLA Citation, 9th Edition (style guide)

Olga Grushin, Olga Grushin|AUTHOR, and Christa Lewis|READER. Forty Rooms Blackstone Publishing, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDec2c198c-a113-439d-c5e8-011d2c4105b3-eng
Full titleforty rooms
Authorgrushin olga
Grouping Categorybook
Last Update2024-06-21 15:17:32PM
Last Indexed2024-06-29 05:07:57AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 22, 2021
Last UsedOct 6, 2022

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    [synopsis] => Totally original in conception and magnificently executed, Forty Rooms is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women's identity-of women's choices-that no modern novel has explored so deeply."Forty rooms" is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family's Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life and is protective of her, and they eventually drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts-until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.
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