The Chinese on the Art of Painting: Texts by the Painter-Critics, from the Han through the Ch'ing Dynasties
(eBook)

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Published
Dover Publications, 2013.
Format
eBook
Language
English
ISBN
9780486147017

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Citations

APA Citation, 7th Edition (style guide)

Osvald Sirén., & Osvald Sirén|AUTHOR. (2013). The Chinese on the Art of Painting: Texts by the Painter-Critics, from the Han through the Ch'ing Dynasties . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Osvald Sirén and Osvald Sirén|AUTHOR. 2013. The Chinese On the Art of Painting: Texts By the Painter-Critics, From the Han Through the Ch'ing Dynasties. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Osvald Sirén and Osvald Sirén|AUTHOR. The Chinese On the Art of Painting: Texts By the Painter-Critics, From the Han Through the Ch'ing Dynasties Dover Publications, 2013.

MLA Citation, 9th Edition (style guide)

Osvald Sirén, and Osvald Sirén|AUTHOR. The Chinese On the Art of Painting: Texts By the Painter-Critics, From the Han Through the Ch'ing Dynasties Dover Publications, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8c94e593-3e96-1c3a-3b8f-def40853149d-eng
Full titlechinese on the art of painting texts by the painter critics from the han through the ch ing dynasties
Authorsirén osvald
Grouping Categorybook
Last Update2024-02-29 18:01:46PM
Last Indexed2024-05-04 04:00:16AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 19, 2023
Last UsedApr 17, 2024

Hoopla Extract Information

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    [synopsis] => Because so many Chinese artworks have been ravaged by time, the only way to really understand their history and significance is to turn to writings by the painters themselves or by contemporary critics. That is what Osvald Sirén has done in this classic book, with eye-opening results. One of the first Western studies to systematically cover the more than two thousand years of Chinese art, this book by a modern expert considers a wide range of topics, including the relationship between religion and art and the different aesthetic philosophies prevalent in different periods. The book covers art works from the Han (third century B.C.) to the T'ang dynasties; the Sung period; aspects of Ch'an Buddhism and its relation to painting; the Yüan period; historical theories, methods of study, and aesthetic principles of the Ming dynasty; and individual departures and reassertion of traditional principles during the Ch'ing period. Readable and intriguing, this volume is a valuable reference for art lovers and historians.
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