Far Country: Scenes from American Culture
(eBook)

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Published
Farrar, Straus and Giroux, 2019.
Format
eBook
Language
English
ISBN
9780374718077

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Citations

APA Citation, 7th Edition (style guide)

Franco Moretti., & Franco Moretti|AUTHOR. (2019). Far Country: Scenes from American Culture . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Franco Moretti and Franco Moretti|AUTHOR. 2019. Far Country: Scenes From American Culture. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Franco Moretti and Franco Moretti|AUTHOR. Far Country: Scenes From American Culture Farrar, Straus and Giroux, 2019.

MLA Citation, 9th Edition (style guide)

Franco Moretti, and Franco Moretti|AUTHOR. Far Country: Scenes From American Culture Farrar, Straus and Giroux, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID34741811-2fbd-ba7f-ff0a-d3be620828d8-eng
Full titlefar country scenes from american culture
Authormoretti franco
Grouping Categorybook
Last Update2023-11-21 11:01:30AM
Last Indexed2024-04-27 02:50:47AM

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Image Sourcehoopla
First LoadedMar 13, 2024
Last UsedApr 25, 2024

Hoopla Extract Information

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    [synopsis] => The influential and controversial critic takes literary history out of the classroom and into the public

In the field of literary history and theory, Franco Moretti is synonymous with innovation. The cofounder of the Stanford Literary Lab, he brought quantitative methods into the study of the novel, enabling a "distant" reading that uses computation to analyze literary production over centuries. But at the same time, he was also teaching undergraduates the history of literature. Knowing Moretti, it's no surprise that he didn't teach the course the accepted way: one author after another, in a long uninterrupted chain. Instead, he put an irregular chessboard in front of his students that was too strange to be taken for granted. Literary history had become a problem, and he offered a solution.

In Far Country, Moretti take these lectures out of the classroom and lets us share in the passion and excitement that comes from radical critique. Unconstrained by genre, Moretti juxtaposes Whitman and Baudelaire, the Western and film noir, even Rembrandt and Warhol, illuminating each through their opposition. With his guidance, we revel in the process of transformation-the earthquakes that shook the "how" of artistic form-and begin to shape a new view on American culture.

Bracing in its insight and provocative in its conclusions, Far Country is a critical look at the development of American cultural hegemony.
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