Lost Souls
(eBook)

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Published
St. Martin's Publishing Group, 2015.
Format
eBook
Language
English
ISBN
9781250021724

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Citations

APA Citation, 7th Edition (style guide)

Seth Patrick., & Seth Patrick|AUTHOR. (2015). Lost Souls . St. Martin's Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Seth Patrick and Seth Patrick|AUTHOR. 2015. Lost Souls. St. Martin's Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Seth Patrick and Seth Patrick|AUTHOR. Lost Souls St. Martin's Publishing Group, 2015.

MLA Citation, 9th Edition (style guide)

Seth Patrick, and Seth Patrick|AUTHOR. Lost Souls St. Martin's Publishing Group, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd86dddd2-42be-8c99-a9fa-2cbd97d37d70-eng
Full titlelost souls
Authorpatrick seth
Grouping Categorybook
Last Update2024-04-24 05:04:19AM
Last Indexed2024-04-27 04:58:17AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 27, 2024
Last UsedApr 23, 2024

Hoopla Extract Information

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    [synopsis] => A fascinating analysis of the first famous American to erase the boundary between real history and entertainment.

Canada, and Europe. Crowds cheered as cowboys and Indians, and Annie Oakley, galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure.

Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition.

But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study-richly illustrated-in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
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