Dostoyevsky: or The Flood of Language
(eBook)

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Published
Columbia University Press, 2021.
Format
eBook
Language
English
ISBN
9780231554985

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APA Citation, 7th Edition (style guide)

Julia Kristeva., & Julia Kristeva|AUTHOR. (2021). Dostoyevsky: or The Flood of Language . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Julia Kristeva and Julia Kristeva|AUTHOR. 2021. Dostoyevsky: Or The Flood of Language. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Julia Kristeva and Julia Kristeva|AUTHOR. Dostoyevsky: Or The Flood of Language Columbia University Press, 2021.

MLA Citation, 9th Edition (style guide)

Julia Kristeva, and Julia Kristeva|AUTHOR. Dostoyevsky: Or The Flood of Language Columbia University Press, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa250a646-facc-7242-994c-2bdc5ace1c14-eng
Full titledostoyevsky or the flood of language
Authorkristeva julia
Grouping Categorybook
Last Update2024-02-19 18:04:31PM
Last Indexed2024-05-04 04:17:08AM

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First LoadedAug 29, 2022
Last UsedMar 3, 2023

Hoopla Extract Information

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    [synopsis] => Growing up in Bulgaria, Julia Kristeva was warned by her father not to read Dostoyevsky. "Of course, and as usual," she recalls, "I disobeyed paternal orders and plunged into Dosto. Dazzled, overwhelmed, engulfed." Kristeva would go on to become one of the most important figures in European intellectual life- and she would return over-and-over again to Dostoyevsky, still haunted and enraptured by the force of his writing.

In this book, Kristeva embarks on a wide-ranging and stimulating inquiry into Dostoyevsky's work and the profound ways it has influenced her own thinking. Reading across his major novels and shorter works, Kristeva offers incandescent insights into the potent themes that draw her back to the Russian master: God, otherness, violence, eroticism, the mother, the father, language itself. Both personal and erudite, the book intermingles Kristeva's analysis with her recollections of Dostoyevsky's significance in different intellectual moments-the rediscovery of Bakhtin in the Thaw-era Eastern Bloc, the debates over poststructuralism in 1960s France, and today's arguments about whether it can be said that "everything is permitted." Brilliant and vivid, this is an essential book for admirers of both Kristeva and Dostoyevsky. It also features an illuminating foreword by Rowan Williams that reflects on the significance of Kristeva's reading of Dostoyevsky for his own understanding of religious writing.
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