Cinema and the Republic: Filming on the Margins in Contemporary France
(eBook)

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Published
University of Wales Press, 2013.
Format
eBook
Language
English
ISBN
9781783165537

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APA Citation, 7th Edition (style guide)

Jonathan Ervine., & Jonathan Ervine|AUTHOR. (2013). Cinema and the Republic: Filming on the Margins in Contemporary France . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jonathan Ervine and Jonathan Ervine|AUTHOR. 2013. Cinema and the Republic: Filming On the Margins in Contemporary France. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jonathan Ervine and Jonathan Ervine|AUTHOR. Cinema and the Republic: Filming On the Margins in Contemporary France University of Wales Press, 2013.

MLA Citation, 9th Edition (style guide)

Jonathan Ervine, and Jonathan Ervine|AUTHOR. Cinema and the Republic: Filming On the Margins in Contemporary France University of Wales Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID49e79399-12ac-91f1-50cb-899c5a8ba0a2-eng
Full titlecinema and the republic filming on the margins in contemporary france
Authorervine jonathan
Grouping Categorybook
Last Update2024-05-15 02:00:53AM
Last Indexed2024-05-21 02:57:20AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 11, 2023
Last UsedMar 8, 2024

Hoopla Extract Information

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    [synopsis] => This book analyses contemporary French films by focusing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge clichés about these areas. The conclusion assesses what these films show about contemporary French political cinema.
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