Grey Dog
(eBook)

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Published
ECW Press, 2024.
Format
eBook
Language
English
ISBN
9781778522611

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Citations

APA Citation, 7th Edition (style guide)

Elliott Gish., & Elliott Gish|AUTHOR. (2024). Grey Dog . ECW Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Elliott Gish and Elliott Gish|AUTHOR. 2024. Grey Dog. ECW Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Elliott Gish and Elliott Gish|AUTHOR. Grey Dog ECW Press, 2024.

MLA Citation, 9th Edition (style guide)

Elliott Gish, and Elliott Gish|AUTHOR. Grey Dog ECW Press, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd147cebe-c6c7-eb3c-a8a9-ce98552c9b28-eng
Full titlegrey dog
Authorgish elliott
Grouping Categorybook
Last Update2024-04-19 06:59:44AM
Last Indexed2024-04-27 04:52:33AM

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Image Sourcehoopla
First LoadedMay 2, 2024
Last UsedMay 2, 2024

Hoopla Extract Information

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    [synopsis] => A subversive literary horror novel that disrupts the tropes of women's historical fiction with delusions, wild beasts, and the uncontainable power of female rage		
	The year is 1901, and Ada Byrd - spinster, schoolmarm, amateur naturalist - accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past - riddled with grief and shame - has never seemed so far away.		
	But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly - which she calls Grey Dog - is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?		 			1901: Ada Byrd - spinster, schoolmarm, amateur naturalist - accepts a teaching post in isolated Lowry Bridge, grateful to live where no one knows her secrets. Soon, Ada realizes that something beastly lives in the heart of Lowry Bridge, and it both beckons and repels her. As her own grip on reality loosens, Ada wonders if the real horror is her.		 			
	Elliott Gish is a writer and librarian from Halifax, where she lives with her partner. A graduate of Simon Fraser University's Writer's Studio, Gish's fiction has appeared in many journals, including the New Quarterly, the Baltimore Review, and the Dalhousie Review, and was nominated for a 2022 Pushcart Prize.		 			
	Sales and Market Bullets

		

		
•	INSPIRED BY ANNE OF GREEN GABLES: Elliott Gish grew up reading the novels of Lucy Maud Montgomery and felt comforted by the adventures of Anne and Emily. But in reading those books, she always felt there was something horrific lurking behind Montgomery's words, a darkness obscured by wholesomeness. Grey Dog leans into this nagging feeling, upending the tropes of Montgomery's worlds with beasts, monsters, and women's rage.

		
•	SMART LITERARY HORROR: It's Anne of Green Gables meets supernatural dread meets a queer awakening. Smart literary horror that will thrill gothic readers while satisfying the horror fans of filmmaker Jordan Peele.

		
•	DEBUT FROM AN AUTHOR WHO WANTS TO CREEP YOU OUT: Elliott Gish is a 2020 graduate of the Simon Fraser University Writer's Studio program and later participated in the program as an apprentice fiction mentor.

		
•	FOR READERS OF: Rebecca (Daphne du Maurier), The Haunting of Hill House (Shirley Jackson), The Yellow Wallpaper (Charlotte Perkins Gilman), The Change (Kirsten Miller), and Plain Bad Heroines (Emily M. Danforth).
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