In this volume of Racine's plays we find "The Thebaid," the first of twelve plays by the author. Racine draws upon Sophocles' "Antigone" and Euripides' "Phoenician Women" for this drama. The play concerns the struggle and death of the young son of Oedipus, as well as that of Antigone. The plot follows that of the other Theban plays in which we find Eteocles and Polynices, two warring brothers, Jocasta, their mother, Antigone, their sister, and Menoeceus...

In this volume of Racine's plays we find "Mithridates," the eighth of twelve plays by the author. In this drama Racine draws upon the historical figure of Mithridates who is remembered as one of the Roman Republic's most formidable and successful enemies. Having reigned over the kingdom of Pontus, around the Black Sea, Mithridates was famous for having gradually immunized himself to poisons. Popular in its day being a favorite of King Louis XIV, the...

In this volume of Racine's plays we find "Athaliah," the last of twelve plays by the author. Considering that it was Racine's final work it may come as no surprise that it has been described as the masterpiece of "one of the greatest literary artists known." Revered by Voltaire who saw it as "perhaps the masterpiece of mankind" and by Flaubert who referred to it as an "immortal masterpiece of the French stage." The story itself concerns the biblical...

In this volume of Racine's plays we find "The Litigants," the fourth of twelve plays by the author. Inspired by Aristophanes' "Wasps," Racine removes all political significance in this farce. As the only comedy by Racine "The Litigants" stands apart from his other works. The action of the story revolves around Judge Dandin, who in his old age has begun to go crazy. Hilarity ensues as Leander, Dandin's son, and Petit Jean, a house porter, attempt to...

In this volume of Racine's plays we find "Iphigenia," the ninth of twelve plays by the author. After a series of historical dramas Racine choose to return to mythological subject matter for his ninth play. As Agamemnon, King of the Greeks, prepares his navy to attack Troy, the gods quell the winds for their journey and demand the sacrifice of Iphigenia, Agamemnon's daughter. Based in part on Euripides' "Iphigenia in Aulis," Racine departs somewhat...

Collected in this volume is a complete collection of Racine's dramatic works. Written between 1664 and 1691 Racine's plays draw their subject matter from historical events, mythology and the Bible. Presented in this volume are translations by Robert Bruce Boswell of the following works: "The Thebaid," "Alexander the Great," "Andromache," "The Litigants," "Britannicus," "Berenice," "Bajazet," "Mithridates," "Iphigenia," "Phaedra," "Esther," and "Athaliah."...

First performed in Paris in 1677, Jean Racine's "Phaedra" is the tenth of twelve plays by the author and his last to be based on Greek mythology. Racine, the famed French dramatist and master of dodecasyllabic alexandrine, the 12-syllable poetic meter, was a contemporary of Molière and Corneille. This classic story concerns its titular character, who though married to Theseus, the King of Athens, falls in love with Hippolytus, Theseus' son from his...

Extrait : "Quoique le sujet de cette tragédie ne soit encore dans aucune histoire imprimée, il est pourtant très véritable. C'est une aventure arrivée dans le Serrail, il n'y a pas plus de trente ans..."

Extrait: "Nous menacions de loin les rivages de Troie. Un prodige étonnant fit taire ce transport: Le vent qui nous flattait nous laissa dans le port. Il fallut s'arrêter, et la rame inutile Fatigua vainement une mer immobile. Ce miracle inouï me fit tourner les yeux Vers la divinité qu'on adore en ces lieux. Suivi de Ménélas, de Nestor et d'Ulysse, J'offris sur ses autels un secret sacrifice..."

Extrait: "ESTHER : Est-ce toi, chère Elise ? O jour trois fois heureux! Que béni soit le ciel qui te rend à mes vœux, Toi qui, de Benjamin comme moi descendue, Fus de mes premiers ans la compagne assidue, Et qui d'un même joug souffrant l'oppression, M'aidais à soupirer les malheurs de Sion ! Combien ce temps encore est cher à ma mémoire!"