Hitler, Mussolini, and Me: A Sort of Triography
(eAudiobook)

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Published
Blackstone Publishing, 2016.
Physical Description
7h 26m 0s
Format
eAudiobook
Language
English
ISBN
9781982408473

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Citations

APA Citation, 7th Edition (style guide)

Charles Davis., Charles Davis|AUTHOR., & Gerard Doyle|READER. (2016). Hitler, Mussolini, and Me: A Sort of Triography . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charles Davis, Charles Davis|AUTHOR and Gerard Doyle|READER. 2016. Hitler, Mussolini, and Me: A Sort of Triography. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charles Davis, Charles Davis|AUTHOR and Gerard Doyle|READER. Hitler, Mussolini, and Me: A Sort of Triography Blackstone Publishing, 2016.

MLA Citation, 9th Edition (style guide)

Charles Davis, Charles Davis|AUTHOR, and Gerard Doyle|READER. Hitler, Mussolini, and Me: A Sort of Triography Blackstone Publishing, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7e2c9689-ea27-af39-7616-0bf7c0dd48c9-eng
Full titlehitler mussolini and me a sort of triography
Authordavis charles
Grouping Categorybook
Last Update2024-02-29 09:11:11AM
Last Indexed2024-04-27 03:49:39AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 4, 2024
Last UsedJan 4, 2024

Hoopla Extract Information

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    [synopsis] => In 1938, Hitler visits Italy. An expatriate Irish art historian is obliged to guide Mussolini and his guest around the galleries. Half fascinated, half repelled, he watches the tyrants, wrestling with the uneasy conviction that he ought to use the opportunity to "do something" about them yet lacking the zeal that might transform misgivings into action.  Thirty years later, his daughter comes across a compromising clipping showing her father with the dictators. Exposed as a collaborator, the narrator explains what happened, what he did and did not do, and why, revealing in the process the part the girl's mother played in promoting the digestive disorders that were to influence the course of the war.  To help his daughter understand, he conjures a time before the crime that would define the century, a time before these men became monsters inflated to fit that crime, showing her the tawdry little people behind the myths, the real Hitler and Mussolini, the Flatulent Windbag and the Constipated Prick.  Based on historical events and using the tyrants' own words, Hitler, Mussolini, and Me brings the dictators down to earth, describing the murkier, more scurrilous aspects of their careers, and using jokes and scatology to weave a crazed pathway toward a cracked kind of morality. It is the story of an ordinary man living in extraordinary times-times when being ordinary was an act of rebellion in itself.
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